I had my suspicions beforehand I'd admire Dirty Projectors' orchestra-backed rendition of “The Getty Address” (an avant-garde concept album about Don Henley) more than I'd actually enjoy it, and in truth, that's kind of how it panned out. There's numerous moments of individual beauty, but as a whole work, it's too difficult/pretentious for my tastes. Much more engaging was their second, “Bitte Orca”-centric set, which overlaid their sharp, brilliant harmonies and intricate guitar-work on a more accessible pop-orientated framework.
(Photo: Anika Mottershaw)
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