STAG & DAGGER FESTIVAL (Various Hoxton Venues, 19/05/11)
Echo Lake’s voluminous spectral shoegaze aside, this year’s edition of EastLondonMoodyHipsterFest failed to impress. D/R/U/G/S was a bit too bleepy-bloopy for a 9pm time-slot and Post War Years had promise but were too slavishly in hock to LCD Soundsystem and Foals to stand out on their own merits.
(Photo: Tony Coleby)
A tragic chronicle of OBSESSION, PASSION and INCIPIENT TINNITUS from a man Zach Condon once referred to as a "bum".
Saturday, May 21, 2011
HANDSOME FURS (London Lexington, 16/05/11)
Man, Handsome Furs are awesome. As well as being the most lovable (and loved-up) couple in the whole of indie-rock, their ferociously dynamic performance, combined with some blinding new material made this one of the most exhilarating sets of the year so far. RADIO KALININGRAD, STATIC ON A BROKEN WIRE!
(Photo: John Gleeson)
Man, Handsome Furs are awesome. As well as being the most lovable (and loved-up) couple in the whole of indie-rock, their ferociously dynamic performance, combined with some blinding new material made this one of the most exhilarating sets of the year so far. RADIO KALININGRAD, STATIC ON A BROKEN WIRE!
(Photo: John Gleeson)
REVERBERATIONS FESTIVAL: SESSION 6 (London Barbican, 08/05/11)
God knows what Owen Pallett was doing at a festival dedicated to one of the forefathers of minimalism in the first place, but I couldn’t help thinking his orchestra-augmented performance of “Heartland” was a slight disappointment. Fact is, Owen’s own looping skills are so phenomenal that not even a full retinue of classically-trained musicians could really add that much to his sound, and indeed, only the last song truly made full use of their talents. Also could have done with 90% less drums. Ah well.
On the plus side, Clogs were excellent. The lullaby they performed with a children’s choir was one of the most beautiful things I’ve heard this year.
(Photo: John Gleeson)
God knows what Owen Pallett was doing at a festival dedicated to one of the forefathers of minimalism in the first place, but I couldn’t help thinking his orchestra-augmented performance of “Heartland” was a slight disappointment. Fact is, Owen’s own looping skills are so phenomenal that not even a full retinue of classically-trained musicians could really add that much to his sound, and indeed, only the last song truly made full use of their talents. Also could have done with 90% less drums. Ah well.
On the plus side, Clogs were excellent. The lullaby they performed with a children’s choir was one of the most beautiful things I’ve heard this year.
(Photo: John Gleeson)
Tuesday, May 10, 2011
DEERHOOF (London Garage, 04/05/11)
It’s Deerhoof. Of course they were great. My admiration for Greg Saunier’s drumming skills and bemusement by his raconteurship remains unabated, and Satomi Matsuzaki can still star-jump like the best of ‘em.
(Photo: Anika "Tang Fiend" Mottershaw)
It’s Deerhoof. Of course they were great. My admiration for Greg Saunier’s drumming skills and bemusement by his raconteurship remains unabated, and Satomi Matsuzaki can still star-jump like the best of ‘em.
(Photo: Anika "Tang Fiend" Mottershaw)
O’DEATH (London Cargo, 02/05/11)
First time I’ve seen O’Death in two and a half years, and I fucking miss “Adelita.” Grrr. That apart, I'm glad to report there’s still no-one who can match them in the frenzied, Deliverance-tinged hoedown stakes. Nearly lost my voice during "Lay Me Down"...
(Photo: James Evans)
First time I’ve seen O’Death in two and a half years, and I fucking miss “Adelita.” Grrr. That apart, I'm glad to report there’s still no-one who can match them in the frenzied, Deliverance-tinged hoedown stakes. Nearly lost my voice during "Lay Me Down"...
(Photo: James Evans)
SUFJAN STEVENS (Copenhagen Vega, 01/05/11)
If you're a stickler for subtle, low key performances, you may not enjoy Sufjan Stevens' current tour. If you like things that are totally awesome, I suspect you will. "Age of Adz" is a glorious mess of an album, and his live set-up accentuates that a hundredfold; I don't wish to spoil too much for those who are yet to experience it, but we're talking Flaming Lips levels of audio-visual ridiculousness here. But unlike the Lips, there's no undue reliance on backing tapes; Sufjan's gathered together an incredible band that takes the material from the new album and significantly enhances it ("Vesuvius" was an absolute fucking blinder). I was expecting good things, but last night blew all my expectations out of the water – one of the most riveting, over-the-top, luscious live performances I've ever seen.
Oh, and he played "Casimir Pulaski Day." That was pretty sweet.
If you're a stickler for subtle, low key performances, you may not enjoy Sufjan Stevens' current tour. If you like things that are totally awesome, I suspect you will. "Age of Adz" is a glorious mess of an album, and his live set-up accentuates that a hundredfold; I don't wish to spoil too much for those who are yet to experience it, but we're talking Flaming Lips levels of audio-visual ridiculousness here. But unlike the Lips, there's no undue reliance on backing tapes; Sufjan's gathered together an incredible band that takes the material from the new album and significantly enhances it ("Vesuvius" was an absolute fucking blinder). I was expecting good things, but last night blew all my expectations out of the water – one of the most riveting, over-the-top, luscious live performances I've ever seen.
Oh, and he played "Casimir Pulaski Day." That was pretty sweet.
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