Look, it's Zun Zun Egui with a bunch of the country's leading modern jazz musicians. It was always going to be great. True, their material lacks variety, deviating from high-octane jazz-funk only to delve in latter-day-Sam-Beam world music territory, but my God, it's a hell of a lot of fun.
A tragic chronicle of OBSESSION, PASSION and INCIPIENT TINNITUS from a man Zach Condon once referred to as a "bum".
Monday, April 29, 2013
Friday, April 19, 2013
BRASS BAND BATTLE- BALKANS VS MEXICO (London Barbican, 14/04/13)
All that really needs to be said about this phenomenal brass-off between the Serbian Boban I Marko Marko Markovic Orkestra and the Mexican Banda Estrellas de Sinaloa de GĂ©rman Lizarraga is that it inspired a typically staid and highbrow Barbican audience not only to initiate a conga line around the venue, but also to undertake two full-on stage invasions. For my money, the Balkans easily won it, with a far more varied and technically brilliant set, but the Mexican's played their hearts out too, with “Tequila Mambo” an obvious highlight. Without a doubt the most fun I've had this year outside of a Dan Deacon gig.
All that really needs to be said about this phenomenal brass-off between the Serbian Boban I Marko Marko Markovic Orkestra and the Mexican Banda Estrellas de Sinaloa de GĂ©rman Lizarraga is that it inspired a typically staid and highbrow Barbican audience not only to initiate a conga line around the venue, but also to undertake two full-on stage invasions. For my money, the Balkans easily won it, with a far more varied and technically brilliant set, but the Mexican's played their hearts out too, with “Tequila Mambo” an obvious highlight. Without a doubt the most fun I've had this year outside of a Dan Deacon gig.
Saturday, April 13, 2013
EFTERKLANG (London Lexington, 29/03/13)
Efterklang's orchestral shows have been great an' all, but it's such a pleasure to see them once again as a proper band, playing their little Danish hearts out in a venue ten times smaller than what they're accustomed to these days. There's not a single duff moment during their 90-minute set, with their new female member's angelic harmonies elevating the arrangements to even more astounding levels of joyousness. An absolute stunner of a performance, and perhaps the best I've seen so far this year.
Efterklang's orchestral shows have been great an' all, but it's such a pleasure to see them once again as a proper band, playing their little Danish hearts out in a venue ten times smaller than what they're accustomed to these days. There's not a single duff moment during their 90-minute set, with their new female member's angelic harmonies elevating the arrangements to even more astounding levels of joyousness. An absolute stunner of a performance, and perhaps the best I've seen so far this year.
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